
For as long as I can remember, I have always been a deeply visual person. Sensitive to people and their stories, I am fascinated by the human experience. As a child, if I could have chosen a superpower, it would have been the ability to experience life through someone else’s eyes.
Today, I am a photographer, and just as I did then, I love to immerse myself in the daily lives and intimacy of others, but this time, from behind my camera. I first studied management in Belgium before pursuing photography studies in Canada. I later joined the Hans Lucas agency.
Drawn to zones of tension and social issues, I traveled to Ukraine, where I worked for various media outlets. I have also covered the pension reform protests in France and the riots in Nanterre. Since late 2024, I have been working on a long-term series exploring the repercussions of the rigged elections in Georgia.
My photography is social, empathetic, and immersive. It aims to explore those singular human trajectories that run parallel to major news events.
I am fluent in French, Italian, English, Spanish. Intermediate in Dutch and Portuguese.
Published in /Publié dans : Libération, L’Obs, Elle, Mediapart, La Croix, Télérama, Financial Times, Le 1 Hebdo, El Salto, l’Express, ect
Fluent in French, Italian, English, Spanish. Intermediate in Dutch and Portuguese
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Awards/ Screenings/ Press
° 2025 Winner, Matt Black (Magnum) Special Prize – Gazes on Existence (Urban Photo Awards) Trieste Photo Days, Italy
° 2025 Fisheye Magazine (Les coups de cœur #543)
° 2025 Shortlisted, Kolga Award, Georgia (Documentary Category)
° 2025 Finalist, Rovinj Photodays, Croatia (Documentary Category)
° 2023 Shortlisted, Trieste Photo Young, Italy
Exhibitions
° 2025 Matt Black (Magnum) Special Prize – Gazes on Existence (Urban Photo Awards) Trieste Photo Days, Italy
° 2025 Kolga Award, Georgia (Documentary Category)
° 2025 Rovinj Photodays, Croatia (Documentary Category)
° 2024 The Glasgow Gallery of Photography, UK (Reportage exhibition)
° 2023 Trieste Photo Young, Italy